Has Sony Found the Missing Link?With 80 percent of U.S. Internet users hooked up to a high-speed, always-on,all-you-can-download-for-one-price broadband connection, it's reasonable to assume that mostpeople will want to point their remote control at the TV set and enjoy online entertainment atsome point. How exactly they'll accomplish this feat, though, is still very much up in the air.You could hook a full-blown computer up to the TV (my choice, but I'm a self-confessed geek),download shows and movies via your Internet-connected game console, use a media bridge likeAppleTV to present files from your computer on the TV, or rely on a turbo-charged set-top box,like the one you use now to get cable or satellite TV reception, to grab content from the Web aswell. And this fall we have yet another option to consider, as Sony introduces its Bravia InternetVideo Link.
This is FRESH AIR. Two new limited series take new approaches to very familiar stories. "Gaslit," which premiered Sunday on Starz, is an eight-part comedy drama about the Watergate scandal. "The Offer," which premieres tomorrow on Paramount+, is a 10-part comedy drama about the making of the movie "The Godfather." Our TV critic David Bianculli reviews them both.
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DAVID BIANCULLI, BYLINE: "Gaslit" and "The Offer," it turns out, have an awful lot in common. Both are scheduled around golden anniversaries. Last month was the 50th anniversary of the release of Francis Ford Coppola's original "Godfather" movie. And in June, it'll be 50 years since the Watergate break-in that ended up toppling a presidency. Both of these new TV productions, in telling their stories, focus on relatively minor figures and take a mostly light touch. Both TV shows also boast at least a few actors and performances enjoyable enough to make these new treatments worth sitting through.
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Director: Edgar WrightCast: Simon Pegg, Nick Frost, Kate Ashfield, Lucy DavisYou can argue until you're zombiefied with exhaustion as to whether Edgar Wright and Simon Pegg's first cinematic collaboration is a true horror. It is: the laughs are balanced by a keen understanding of the fear aesthetic, and it doesn't skimp on either the scares or the gore. You only have to look to the final siege's homaging of Night Of The Living Dead to understand that. Plus, Wright and his cast add such real emotional depth to the characters that they come across as more nuanced than many a scary movie can boast.Read The Empire Review 2ff7e9595c
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