Renaming it Total Recall, Shusett worked with Dan O'Bannon to write the script. O'Bannon exhausted the existing material quickly, and the short story's abrupt ending meant he could only write thirty pages, effectively only the first act, and an original second and third act were needed; he suggested sending Quaid to Mars.[15] Shusett and O'Bannon disagreed over the third act, the former wanting something more dramatic. O'Bannon's ending revealed the handprint on the alien machine as Quaid's, who is a replica of the original, and placing his hand on it grants him total memory recall. O'Bannon described the filmed ending as "lame".[17][18] Dick read the script prior to his death in 1982 and, according to O'Bannon, enjoyed it.[19] Although studios deemed Shusett and O'Bannon's script an ambitious and brilliant idea, it was essentially considered unfilmable, in part because of the extensive special effects and high budget that would be required.[13][14]
The 30th-anniversary package offers one UHD BD, two BDs (one dedicated to special features), and a digital download code. Three new-to-this-release features are included on both the UHD and BD platters. "Total Excess: How Carolco Changed Hollywood" (59 mins., 1080p) purports to tell the story of Andrew G. Vajna and Mario Kassar's mini-major studio, which grew to prominence with the release of Sylvester Stallone's Rambo movies in the 1980s, plateaued on the back of hits like Total Recall, Terminator 2: Judgment Day (1991), and Basic Instinct (1992), and then collapsed under the weight of the expensive failures of Showgirls and Cutthroat Island (both 1995). Unfortunately, neither Vajna (who died in 2019) nor Kassar (who presumably declined to be interviewed) appear on screen, though a number of their associates and creative collaborators show up, such as Verhoeven, Michael Douglas, Oliver Stone, editors Mark Goldblatt and Mark Helfrich, and film music producer Robert Townson. (Alan Parker, George Cosmatos, and Walter Hill appear in archival interview footage.) It's entertaining enough, thanks to lots of footage from the films under discussion, but it feels more like an extended clip reel than any kind of definitive history.
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